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Constructing Jazz Guitar Chords

Jazz music is some of the most complex music in modern society. Don’t let this turn you off though; Jazz is mostly built upon seventh chords, which are in fact very easy chords to build.

Before we get into building our own jazz guitar chords, we need to cover a few basics.

You should fully understand how to build a triad before you approach building seventh chords. A triad is a chord built of three notes.

There are four different types of basic guitar chords; Major, minor, augmented and diminished. This also means that there are four different types of triads as well, and of course this extends to seventh chords as well.

A Major triad is built of a Major third with a minor third on top. A Major triad’s musical interval from the root is called a perfect fifth. A minor triad is built of a minor third with a Major third stacked upon it. This is also called a minor triad.

Diminished and augmented chords are a bit different. A diminished triad is built of two minor thirds which makes an interval called a diminished fifth. An augmented triad is built of two Major thirds whose combined interval is called an augmented fourth.

Building basic triads is easy. For example, we will use a C Major super tonic triad. The super tonic in most Major keys is minor, so if we take the second letter name of C Major (D) and move up a minor third, we come to F (D#, E, F). From F we will need to move up a further Major third, which brings us to A (F#, G, G#, A). Our super tonic C Major triad consists of the notes D, F and A.

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Now that we have arrived at our triad, how exactly do we create a seventh chord?

Seventh chords are built off of triads. Triads have a root, a third, and a fifth. We need to add a seventh. This is done by adding a further third. For a Major seventh chord, we would take a Major triad and add a second Major third to the end.

For a minor seventh chord, we would add a second minor third to the end of a minor triad. For a diminished seventh chord --you guessed it-- we add a third minor third to our diminished triad, and for an augmented seventh chord we would add a three Major third to the end of an augmented triad.

So now, using our C Major super tonic triad, we will create a minor seventh chord by moving a further minor third from our fifth bringing us to C (A#, B, C).

Sounds simple, right?

That’s because creating seventh chords is actually fairly easy once you have practiced a few times. Try creating the other seven C Major seventh chords using the method explained above. Once you finish those, you will find that constructing seventh chords becomes almost second nature.

Once you have finished with C Major, move onto its relative minor, a minor, and construct those eight seventh chords. By then you should be proficient enough with building seventh chords to approach any key you desire. Have fun!

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